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Costello flips through years of his songbook at Orpheum
{{Bibliography header}}
 
{{:Bibliography index}}
by Dean Johnson
{{:Boston Herald index}}
Tuesday, October 22, 2002
{{:Massachusetts publications index}}
 
{{:US publications by state index}}
 
{{Bibliography article header}}
Elvis Costello, with NRBQ, at the Orpheum, last night.
<center><h3> Costello flips through years of his{{nb}}songbook{{nb}}at{{nb}}Orpheum </h3></center>
 
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There just haven't been many rock concerts that started with a recorded, yodeled rendition of the ``William Tell Overture.''
<center> Dean Johnson </center>
----
'''Elvis Costello, with NRBQ, at the Orpheum, last night.
{{Bibliography text}}
There just haven't been many rock concerts that started with a recorded, yodeled rendition of the "William Tell Overture."


But there was one at the Orpheum last night, and that's indicative of the playful, upbeat mood that permeated both headliner Elvis Costello's and opener NRBQ's sets for a near-capacity crowd.
But there was one at the Orpheum last night, and that's indicative of the playful, upbeat mood that permeated both headliner Elvis Costello's and opener NRBQ's sets for a near-capacity crowd.
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Like Dylan, Costello now has an enormous, impressive personal songbook, and in concert he picks from it seemingly at random: old songs, new songs, odd cover versions, obscure tracks, wildly rearranged numbers, et al. He also has a crack backing outfit behind him these days, a la Mr. Zimmerman.
Like Dylan, Costello now has an enormous, impressive personal songbook, and in concert he picks from it seemingly at random: old songs, new songs, odd cover versions, obscure tracks, wildly rearranged numbers, et al. He also has a crack backing outfit behind him these days, a la Mr. Zimmerman.


There is one glaring concert difference, however. It's still easy to identify Costello's songs. Even last night's reworked tunes - such as a semi-acoustic ``Girls Talk'' or a ``Complicated Shadows'' that was more of a shuffle than an ominous rocker - kept their keen edge.
There is one glaring concert difference, however. It's still easy to identify Costello's songs. Even last night's reworked tunes such as a semi-acoustic "Girls Talk" or a "Complicated Shadows" that was more of a shuffle than an ominous rocker kept their keen edge.


Costello opened with a potent one-two punch: crunching renditions of ``I Hope You're Happy Now'' and ``Tear Off Your Own Head (It's a Doll's Revolution)'' backed by longtime collaborators Steve Nieve and drummer Pete Thomas, as well as bassist Davey Faragher.
Costello opened with a potent one-two punch: crunching renditions of "I Hope You're Happy Now" and "Tear Off Your Own Head (It's a Doll Revolution)" backed by longtime collaborators Steve Nieve and drummer Pete Thomas, as well as bassist Davey Faragher.


The band kept up the heat early on, and Costello bashed through more songs such as ``Spooky Girlfriend'' and ``I Can't Stand Up.'' Dressed in black, he changed guitars after almost every song, briefly joked with the crowd and accepted flowers.
The band kept up the heat early on, and Costello bashed through more songs such as "Spooky Girlfriend" and "I Can't Stand Up." Dressed in black, he changed guitars after almost every song, briefly joked with the crowd and accepted flowers.


A semi-acoustic segment featured the title track from his latest album, ``When I Was Cruel.'' Later he even tossed in ``My Mood Swings'' from the soundtrack to ``The Big Lebowski.'' His version of ``Alison'' even segued into the other Elvis' territory and quoted from ``Suspicious Minds.''
A semi-acoustic segment featured the title track from his latest album, ''When I Was Cruel''. Later he even tossed in "My Mood Swings" from the soundtrack to ''The Big Lebowski''. His version of "Alison" even segued into the other Elvis' territory and quoted from "Suspicious Minds."


Encore time was nearly as long as the regular set and included bracing takes of ``Pump It Up'' and ``Radio Radio.'' A few songs went on too to long, Costello sometimes bleats when he should sing, but overall he delivered the kind of concert that should have satisfied even his hardcore fans . . . except maybe for the yodeling thing.
Encore time was nearly as long as the regular set and included bracing takes of "Pump It Up" and "Radio, Radio." A few songs went on too to long, Costello sometimes bleats when he should sing, but overall he delivered the kind of concert that should have satisfied even his hardcore fans ... except maybe for the yodeling thing.


Costello came across as sober as a judge compared to the still goofy and carefree NRBQ that mixed serious chops with a wild variety of whimsical, upbeat tunes.
Costello came across as sober as a judge compared to the still goofy and carefree NRBQ that mixed serious chops with a wild variety of whimsical, upbeat tunes.
{{cx}}
{{tags}}[[Orpheum Theatre (Boston)|Orpheum Theatre]] {{-}} [[Boston]] {{-}} [[The Imposters]] {{-}} [[NRBQ]] {{-}} [[William Tell Overture]] {{-}} [[Bob Dylan]] {{-}} [[Girls Talk]] {{-}} [[Complicated Shadows]] {{-}} [[I Hope You're Happy Now]] {{-}} [[Tear Off Your Own Head (It's A Doll Revolution)]] {{-}} [[Steve Nieve]] {{-}} [[Pete Thomas]] {{-}} [[Davey Faragher]] {{-}} [[Spooky Girlfriend]] {{-}} [[I Can't Stand Up For Falling Down]] {{-}} [[When I Was Cruel]] {{-}} [[My Mood Swings]] {{-}} [[The Big Lebowski: Original Motion Picture Soundtrack|The Big Lebowski]] {{-}} [[Alison]] {{-}} [[Suspicious Minds]] {{-}} [[Pump It Up]] {{-}} [[Radio, Radio]]
{{cx}}


Copyright by the Boston Herald and Herald Interactive Advertising Systems, Inc.
Copyright by the Boston Herald and Herald Interactive Advertising Systems, Inc.
{{Bibliography notes header}}
{{Bibliography notes}}
'''Boston Herald, October 22, 2002
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[[Dean Johnson]] reviews Elvis Costello & [[The Imposters]] and opening act [[NRBQ]], Monday, [[Concert 2002-10-21 Boston|October 21, 2002]], Orpheum Theatre, Boston, Massachusetts.
{{Bibliography no images}}
{{Bibliography notes footer}}
{{Bibliography footer}}
==External links==
*[http://en.wikipedia.org/wiki/Boston_Herald Wikipedia: Boston Herald]
*[http://www.elviscostello.info/articles/a-c/boston_herald.021022a.html elviscostello.info]
{{DEFAULTSORT:Boston Herald 2002-10-22}}
[[Category:Bibliography]]
[[Category:Bibliography 2002]]
[[Category:Boston Herald| Boston Herald 2002-10-22]]
[[Category:Newspaper articles]]
[[Category:2002 concert reviews]]
[[Category:2002 US Fall Tour|~Boston Herald 2002-10-22]]

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Costello flips through years of his songbook at Orpheum


Dean Johnson

Elvis Costello, with NRBQ, at the Orpheum, last night.

There just haven't been many rock concerts that started with a recorded, yodeled rendition of the "William Tell Overture."

But there was one at the Orpheum last night, and that's indicative of the playful, upbeat mood that permeated both headliner Elvis Costello's and opener NRBQ's sets for a near-capacity crowd.

When Elvis Costello burst onto the punk scene more than 25 years ago, he was called the New Wave Dylan, punk's enfant terrible, and a bunch of other things.

His expansive, 135-minute set last night featured nearly thirty songs and provided ample evidence that he's lived up to that first moniker more than any other.

Like Dylan, Costello now has an enormous, impressive personal songbook, and in concert he picks from it seemingly at random: old songs, new songs, odd cover versions, obscure tracks, wildly rearranged numbers, et al. He also has a crack backing outfit behind him these days, a la Mr. Zimmerman.

There is one glaring concert difference, however. It's still easy to identify Costello's songs. Even last night's reworked tunes — such as a semi-acoustic "Girls Talk" or a "Complicated Shadows" that was more of a shuffle than an ominous rocker — kept their keen edge.

Costello opened with a potent one-two punch: crunching renditions of "I Hope You're Happy Now" and "Tear Off Your Own Head (It's a Doll Revolution)" backed by longtime collaborators Steve Nieve and drummer Pete Thomas, as well as bassist Davey Faragher.

The band kept up the heat early on, and Costello bashed through more songs such as "Spooky Girlfriend" and "I Can't Stand Up." Dressed in black, he changed guitars after almost every song, briefly joked with the crowd and accepted flowers.

A semi-acoustic segment featured the title track from his latest album, When I Was Cruel. Later he even tossed in "My Mood Swings" from the soundtrack to The Big Lebowski. His version of "Alison" even segued into the other Elvis' territory and quoted from "Suspicious Minds."

Encore time was nearly as long as the regular set and included bracing takes of "Pump It Up" and "Radio, Radio." A few songs went on too to long, Costello sometimes bleats when he should sing, but overall he delivered the kind of concert that should have satisfied even his hardcore fans ... except maybe for the yodeling thing.

Costello came across as sober as a judge compared to the still goofy and carefree NRBQ that mixed serious chops with a wild variety of whimsical, upbeat tunes.


Tags: Orpheum TheatreBostonThe ImpostersNRBQWilliam Tell OvertureBob DylanGirls TalkComplicated ShadowsI Hope You're Happy NowTear Off Your Own Head (It's A Doll Revolution)Steve NievePete ThomasDavey FaragherSpooky GirlfriendI Can't Stand Up For Falling DownWhen I Was CruelMy Mood SwingsThe Big LebowskiAlisonSuspicious MindsPump It UpRadio, Radio


Copyright by the Boston Herald and Herald Interactive Advertising Systems, Inc.

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Boston Herald, October 22, 2002


Dean Johnson reviews Elvis Costello & The Imposters and opening act NRBQ, Monday, October 21, 2002, Orpheum Theatre, Boston, Massachusetts.


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