Nottingham Evening Post, May 21, 2012: Difference between revisions

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<center><h3> Wheel's on fire with Costello's rage and delicacy </h3></center>
<center><h3> Wheel's on fire with Costello's rage and delicacy </h3></center>
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<center> Sean Hewitt </center>
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{{Bibliography text}}
{{Bibliography text}}
I'VE seen loads of Elvis Costello gigs. I've seen him with [[the Attractions]]. accompanied only by keyboard player [[Steve Nieve]] – even as part of a [[John Harle]] pop/classical tour.
I've seen loads of Elvis Costello gigs. I've seen him with the Attractions. accompanied only by keyboard player Steve Nieve even as part of a John Harle pop/classical tour.


But I've never seen anything like Saturday night's Costello show.
But I've never seen anything like Saturday night's Costello show.


With a gaudy 15ft illuminated spinning wheel festooned with song titles, a [[Katerina Valentina Valentine|glamorous female assistant]] and an even more [[Dixie De La Fontaine|glamorous go-go dancer]] in a "cage", this was a considerably more upbeat, outgoing Elvis than before.
With a gaudy 15-foot illuminated spinning wheel festooned with song titles, a glamorous female assistant and an even more glamorous go-go dancer in a "cage," this was a considerably more upbeat, outgoing Elvis than before.


With a huge back catalogue and a two-hour-and-40-minute running time with no interval the night's big gimmick was dragging (mainly female) audience members up on stage to spin the wheel and "choose" the next song.
With a huge back catalogue and a two-hour-and-40-minute running time with no interval the night's big gimmick was dragging (mainly female) audience members up on stage to spin the wheel and "choose" the next song.


With [[The Imposters]] on blazing form (Nieve's keys, [[Pete Thomas]]'s drums and Costello's own guitar work were especially impressive), highlights included [[Beyond Belief]], [[Shabby Doll]], [[I Want You]], [[Watching The Detectives]], [[Everyday I Write The Book]] and, powering towards the end, no-holds-barred, rocket-fuelled takes on [[(I Don't Want To Go To) Chelsea]], [[Pump It Up]] and [[(What's So Funny 'Bout) Peace, Love And Understanding?|(What's So Funny 'Bout) Peace, Love and Understanding]].
With The Imposters on blazing form (Nieve's keys, Pete Thomas's drums and Costello's own guitar work were especially impressive), highlights included "Beyond Belief," "Shabby Doll," "I Want You," "Watching The Detectives," "Everyday I Write The Book" and, powering towards the end, no-holds-barred, rocket-fuelled takes on "(I Don't Want To Go To) Chelsea," "Pump It Up" and "(What's So Funny 'Bout) Peace, Love And Understanding?."


There was also some sharp wit as Elvis, with top hat and cane, prowled the stage as host [[Napoleon Dynamite]].
There was also some sharp wit as Elvis, with top hat and cane, prowled the stage as host Napoleon Dynamite.


Occasionally the mix was foggy but the music's power overcame it. And the true peaks were the quieter, more intense moments, ranging from a delicate [[Alison]] to Costello's seething political rage on the oddly-still-topical [[Shipbuilding]] and [[Tramp The Dirt Down]].
Occasionally the mix was foggy but the music's power overcame it. And the true peaks were the quieter, more intense moments, ranging from a delicate "Alison" to Costello's seething political rage on the oddly-still-topical "Shipbuilding" and "Tramp The Dirt Down."


The wheel was truly on fire. And so was the show.
The wheel was truly on fire. And so was the show.
{{cx}}
{{tags}}[[The Attractions]] {{-}} [[Steve Nieve]] {{-}} [[John Harle]] {{-}} [[The Imposters]] {{-}} [[Pete Thomas]] {{-}} [[Beyond Belief]] {{-}} [[Shabby Doll]] {{-}} [[I Want You]] {{-}} [[Watching The Detectives]] {{-}} [[Everyday I Write The Book]] {{-}} [[(I Don't Want To Go To) Chelsea]] {{-}} [[Pump It Up]] {{-}} [[(What's So Funny 'Bout) Peace, Love And Understanding?]] {{-}} [[Napoleon Dynamite]] {{-}} [[Alison]] {{-}} [[Shipbuilding]] {{-}} [[Tramp The Dirt Down]]
{{cx}}
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{{Bibliography notes}}
{{Bibliography notes}}
{{Bibliography next
|prev = Nottingham Evening Post, May 23, 2005
|next = Nottingham Evening Post, June 15, 2015
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'''Nottingham Evening Post, May 21, 2012
'''Nottingham Evening Post, May 21, 2012
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The Nottingham Evening Post reviews EC and previews Elvis Costello & [[The Imposters]], Saturday, [[Concert 2012-05-19 Nottingham|May 19, 2012]], Royal Concert Hall, Nottingham, England.
[[Sean Hewitt]] reviews Elvis Costello & [[The Imposters]], Saturday, [[Concert 2012-05-19 Nottingham|May 19, 2012]], Royal Concert Hall, Nottingham, England.


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==External links==
==External links==
*[http://www.nottinghampost.com/Wheel-s-Costello-s-rage-delicacy/story-16143625-detail/story.html Nottingham Post.com]
*[http://www.nottinghampost.com/Wheel-s-Costello-s-rage-delicacy/story-16143625-detail/story.html NottinghamPost.com]
*[http://en.wikipedia.org/wiki/Nottingham_Post Wikipedia: Nottingham Evening Post]
*[http://en.wikipedia.org/wiki/Nottingham_Post Wikipedia: Nottingham Evening Post]


 
{{DEFAULTSORT:Nottingham Evening Post 2012-05-21}}
[[Category:Bibliography|Nottingham Evening Post 2012-05-21]]
[[Category:Bibliography]]
[[Category:Bibliography 2012|Nottingham Evening Post 2012-05-21]]
[[Category:Bibliography 2012]]
[[Category:Nottingham Evening Post| Nottingham Evening Post 2012-05-21]]
[[Category:Nottingham Evening Post| Nottingham Evening Post 2012-05-21]]
[[Category:Newspaper articles|Nottingham Evening Post 2012-05-21]]
[[Category:Newspaper articles]]
[[Category:Concert reviews|Nottingham Evening Post 2012-05-21]]
[[Category:2012 concert reviews]]
[[Category:The Revolver Tour 2012|~Nottingham Evening Post 2012-05-21]]

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Nottingham Evening Post

UK & Ireland newspapers

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Wheel's on fire with Costello's rage and delicacy


Sean Hewitt

I've seen loads of Elvis Costello gigs. I've seen him with the Attractions. accompanied only by keyboard player Steve Nieve — even as part of a John Harle pop/classical tour.

But I've never seen anything like Saturday night's Costello show.

With a gaudy 15-foot illuminated spinning wheel festooned with song titles, a glamorous female assistant and an even more glamorous go-go dancer in a "cage," this was a considerably more upbeat, outgoing Elvis than before.

With a huge back catalogue — and a two-hour-and-40-minute running time with no interval — the night's big gimmick was dragging (mainly female) audience members up on stage to spin the wheel and "choose" the next song.

With The Imposters on blazing form (Nieve's keys, Pete Thomas's drums and Costello's own guitar work were especially impressive), highlights included "Beyond Belief," "Shabby Doll," "I Want You," "Watching The Detectives," "Everyday I Write The Book" and, powering towards the end, no-holds-barred, rocket-fuelled takes on "(I Don't Want To Go To) Chelsea," "Pump It Up" and "(What's So Funny 'Bout) Peace, Love And Understanding?."

There was also some sharp wit as Elvis, with top hat and cane, prowled the stage as host Napoleon Dynamite.

Occasionally the mix was foggy but the music's power overcame it. And the true peaks were the quieter, more intense moments, ranging from a delicate "Alison" to Costello's seething political rage on the oddly-still-topical "Shipbuilding" and "Tramp The Dirt Down."

The wheel was truly on fire. And so was the show.


Tags: The AttractionsSteve NieveJohn HarleThe ImpostersPete ThomasBeyond BeliefShabby DollI Want YouWatching The DetectivesEveryday I Write The Book(I Don't Want To Go To) ChelseaPump It Up(What's So Funny 'Bout) Peace, Love And Understanding?Napoleon DynamiteAlisonShipbuildingTramp The Dirt Down

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Nottingham Evening Post, May 21, 2012


Sean Hewitt reviews Elvis Costello & The Imposters, Saturday, May 19, 2012, Royal Concert Hall, Nottingham, England.


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