El Pais, July 28, 2013: Difference between revisions
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'''El Pais, July 28, 2013 | '''El Pais, July 28, 2013 | ||
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[[Luis Hidalgo]] reviews Elvis Costello and the Imposters on Friday | [[Luis Hidalgo]] reviews Elvis Costello and the Imposters on Friday [[Concert 2013-07-26 Barcelona|26 July 2013]] at [[Sala Razzmatazz]], [[Barcelona]]. Spain. | ||
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<center><h3> Voice, songs and hat </h3></center> | |||
<center>''' Costello, uppercase, maintained an impeccable standard voice </center> | |||
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<center>English Translation via Google Translate</center> | |||
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The concert began and some twisted gestures: it sounded terrible. Elvis Costello's voice buried in [[Turpentine]] lyrics did not bode well. What it was really flattering patted the air was that the audience cheering, happy to have chosen the profession of singing and sharing with your audience in concert, but this disease a stretch to fill the room. In the fourth song began to hear the voice, Elvis swung his hat until the wing landed on the rim of his glasses and [[Everyday I Write The Book|Everyday I Write the Book]] led the way. Costello is starting to feel comfortable with your Imposters, petite band!, Indeed. To comfort the public what would two hours, signing a great concert for which only needed to [[Steve Nieve]] (keyboards, huge), [[Pete Thomas]] (drums, colossal) and [[Davey Faragher]] (bass, perfect). | |||
For two things, or three or four, was born Costello. A drinking songwriting popular music through various styles: pop, rock, soul, funk, folk. Of all shows in a concert offered panoramic fluttered over his career, all unified by the second capacity in which Elvis was born: singing. Costello maintained an impeccable standard voice, using spirited, moving with skill in the ballads (gorgeous version of She) and showing in addition that a singer is huge. The third English proficiency makes it even more English: Elvis was born to wear a hat, that his head looks like an extension of it. A hat Elvis hits, accentuates this elegant detached and ironic that after addressing their letters. | |||
The point is that Costello was comfortable, opening the range of his music recoveries changing touring repertoire of classics obvious-Watching the Detectives, Oliver's Army, [[(I Don't Want To Go To) Chelsea|(I Do not Wanna Go) To Chelsea]], [[Alison]] ... - to take acoustic versions like [[Walkin' My Baby Back Home|Walkin 'my baby back home]], to a rear end to a power rocker splendid I want you. By the way, a memorial to the victims of Santiago, to which he dedicated [[Song With Rose|Song with Rose]], and a final concert with a version apotheosis, the Stones' [[Out Of Time|Out of time]]. Two hours were not linear, there was some decrease in intensity (before Watching The Detectives g first) - but he showed in all his brilliance case a musician with a sophisticated artist who makes pop music much more scrupulous than simply tell your kid that is rather bland. | |||
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Revision as of 12:31, 15 March 2014
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