Frankfurter Allgemeine Zeitung, October 24, 2003: Difference between revisions
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This album includes a plurality of gaps. It connects night and day at the exact spot as the differences blur, not knowing what time it is. It is the time when the fatigue is overpowering, the tongue is heavy and you say things that you regret promptly at daylight. The music on this record is dangerous because it could guide to rash actions. It provides plenty of ammunition for last conversations, and one imagines how couples sit late into the night at the bar and repeat the monologues of these songs. Maybe they sing the words even, it could be like in the movie "Magnolia" when the protagonist suddenly step out of their roles, and each bitter for themselves [[Aimee Mann]]'s ballad "Wise Up" intones - about the relationships that are so because they are just so. | This album includes a plurality of gaps. It connects night and day at the exact spot as the differences blur, not knowing what time it is. It is the time when the fatigue is overpowering, the tongue is heavy and you say things that you regret promptly at daylight. The music on this record is dangerous because it could guide to rash actions. It provides plenty of ammunition for last conversations, and one imagines how couples sit late into the night at the bar and repeat the monologues of these songs. Maybe they sing the words even, it could be like in the movie "Magnolia" when the protagonist suddenly step out of their roles, and each bitter for themselves [[Aimee Mann]]'s ballad "Wise Up" intones - about the relationships that are so because they are just so. | ||
This music is so dangerous because it is beautiful. It coats the bare words with heat Strings flatter, rolling piano chords, the bass dabs, a drum brushes wipes, and time after time to wind along to protectively to come before the verses, the nakedness of despair. In her beauty suggest this sound robes that at some point upwards goes again. If such music precipices told, it may not be quite as bad to fall. And finally, this record plays as if in passing, with the stereotype of the brooding North man who sits at night out of habit sadly in the pub and heavy thoughts thinks in which occasionally pops out even one way or another separation. Why did he have called the album "North", Elvis Costello was asked, hurrying on the cover with waving | This music is so dangerous because it is beautiful. It coats the bare words with heat Strings flatter, rolling piano chords, the bass dabs, a drum brushes wipes, and time after time to wind along to protectively to come before the verses, the nakedness of despair. In her beauty suggest this sound robes that at some point upwards goes again. If such music precipices told, it may not be quite as bad to fall. And finally, this record plays as if in passing, with the stereotype of the brooding North man who sits at night out of habit sadly in the pub and heavy thoughts thinks in which occasionally pops out even one way or another separation. Why did he have called the album "North", Elvis Costello was asked, hurrying on the cover with waving raincoat over an empty, rain-slicked road. "Where I am on the road," he replied. | ||
'''Metamorphosis''' | '''Metamorphosis''' |
Revision as of 12:50, 28 June 2014
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