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La cuestión es que Costello estuvo cómodo, abriendo el abanico de su música a recuperaciones en un repertorio de gira cambiante de clásicos evidentes —[[Watching The Detectives|Watching the detectives]], [[Oliver's Army]], [[(I Don't Want To Go To) Chelsea|(I Don’t Wanna Go) To Chelsea]], [[Alison]]...—, a tomas acústicas de versiones como [[Walkin' My Baby Back Home|Walkin’ my baby back home]], pasando por un final rockero posterior a una toma espléndida de I want you. Por en medio, un recuerdo a las víctimas de Santiago, a las que dedicó [[Song With Rose|Song with Rose]], y un final de concierto de apoteosis con una versión, [[Out Of Time|Out of time]], de [[The Rolling Stones|los Stones]]. Dos horas que no fueron lineales —hubo alguna bajada de intensidad (antes de Watching the detectives la primera)—, pero que mostró en toda su brillantez a un músico con mayúsculas, un artista sofisticado que hace de la música pop algo mucho más escrupuloso que un simple decir a tu chico que es más bien panoli. | La cuestión es que Costello estuvo cómodo, abriendo el abanico de su música a recuperaciones en un repertorio de gira cambiante de clásicos evidentes —[[Watching The Detectives|Watching the detectives]], [[Oliver's Army]], [[(I Don't Want To Go To) Chelsea|(I Don’t Wanna Go) To Chelsea]], [[Alison]]...—, a tomas acústicas de versiones como [[Walkin' My Baby Back Home|Walkin’ my baby back home]], pasando por un final rockero posterior a una toma espléndida de I want you. Por en medio, un recuerdo a las víctimas de Santiago, a las que dedicó [[Song With Rose|Song with Rose]], y un final de concierto de apoteosis con una versión, [[Out Of Time|Out of time]], de [[The Rolling Stones|los Stones]]. Dos horas que no fueron lineales —hubo alguna bajada de intensidad (antes de Watching the detectives la primera)—, pero que mostró en toda su brillantez a un músico con mayúsculas, un artista sofisticado que hace de la música pop algo mucho más escrupuloso que un simple decir a tu chico que es más bien panoli. | ||
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<center><h3> Voice, songs and hat </h3></center> | <center><h3> Voice, songs and hat </h3></center> | ||
<center>''' Costello, uppercase, maintained an impeccable standard voice </center> | <center>''' Costello, uppercase, maintained an impeccable standard voice </center> | ||
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The concert began and some twisted gestures: it sounded terrible. Elvis Costello's voice buried in [[Turpentine]] lyrics did not bode well. What it was really flattering patted the air was that the audience cheering, happy to have chosen the profession of singing and sharing with your audience in concert, but this disease a stretch to fill the room. In the fourth song began to hear the voice, Elvis swung his hat until the wing landed on the rim of his glasses and [[Everyday I Write The Book|Everyday I Write the Book]] led the way. Costello is starting to feel comfortable with your Imposters, petite band!, Indeed. To comfort the public what would two hours, signing a great concert for which only needed to [[Steve Nieve]] (keyboards, huge), [[Pete Thomas]] (drums, colossal) and [[Davey Faragher]] (bass, perfect). | The concert began and some twisted gestures: it sounded terrible. Elvis Costello's voice buried in [[Turpentine]] lyrics did not bode well. What it was really flattering patted the air was that the audience cheering, happy to have chosen the profession of singing and sharing with your audience in concert, but this disease a stretch to fill the room. In the fourth song began to hear the voice, Elvis swung his hat until the wing landed on the rim of his glasses and [[Everyday I Write The Book|Everyday I Write the Book]] led the way. Costello is starting to feel comfortable with your Imposters, petite band!, Indeed. To comfort the public what would two hours, signing a great concert for which only needed to [[Steve Nieve]] (keyboards, huge), [[Pete Thomas]] (drums, colossal) and [[Davey Faragher]] (bass, perfect). | ||
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The point is that Costello was comfortable, opening the range of his music recoveries changing touring repertoire of classics obvious-Watching the Detectives, Oliver's Army, [[(I Don't Want To Go To) Chelsea|(I Do not Wanna Go) To Chelsea]], [[Alison]] ... - to take acoustic versions like [[Walkin' My Baby Back Home|Walkin 'my baby back home]], to a rear end to a power rocker splendid I want you. By the way, a memorial to the victims of Santiago, to which he dedicated [[Song With Rose|Song with Rose]], and a final concert with a version apotheosis, the Stones' [[Out Of Time|Out of time]]. Two hours were not linear, there was some decrease in intensity (before Watching The Detectives g first) - but he showed in all his brilliance case a musician with a sophisticated artist who makes pop music much more scrupulous than simply tell your kid that is rather bland. | The point is that Costello was comfortable, opening the range of his music recoveries changing touring repertoire of classics obvious-Watching the Detectives, Oliver's Army, [[(I Don't Want To Go To) Chelsea|(I Do not Wanna Go) To Chelsea]], [[Alison]] ... - to take acoustic versions like [[Walkin' My Baby Back Home|Walkin 'my baby back home]], to a rear end to a power rocker splendid I want you. By the way, a memorial to the victims of Santiago, to which he dedicated [[Song With Rose|Song with Rose]], and a final concert with a version apotheosis, the Stones' [[Out Of Time|Out of time]]. Two hours were not linear, there was some decrease in intensity (before Watching The Detectives g first) - but he showed in all his brilliance case a musician with a sophisticated artist who makes pop music much more scrupulous than simply tell your kid that is rather bland. | ||
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{{Bibliography notes footer}} | {{Bibliography notes footer}} | ||
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==External links== | ==External links== | ||
*[http://ccaa.elpais.com/ccaa/2013/07/27/catalunya/1374945748_338255.html | *[http://ccaa.elpais.com/ccaa/2013/07/27/catalunya/1374945748_338255.html ElPais.com] | ||
*[http://en.wikipedia.org/wiki/El_Pais Wikipedia: El Pais] | *[http://en.wikipedia.org/wiki/El_Pais Wikipedia: El Pais] | ||
{{DEFAULTSORT:Pais 2013-07-28}} | |||
[[Category:Bibliography 2013 | [[Category:Bibliography]] | ||
[[Category:Bibliography 2013]] | |||
[[Category:El Pais| Pais 2013-07-28]] | [[Category:El Pais| Pais 2013-07-28]] | ||
[[Category:Español]] | [[Category:Español]] | ||
[[Category:Newspaper articles]] | |||
[[Category:2013 concert reviews]] |
Revision as of 21:07, 9 October 2014
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