Wright State University Guardian, March 10, 1981: Difference between revisions
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Acoustic piano figures prominently on ''Trust'', largely taking the place of the rinky-dink organ which used to predominate. Otherwise, the overall sound is similar to that of ''Armed Forces'' or ''Get Happy!'', doubtless due to the continuing presence of producer Nick Lowe. | Acoustic piano figures prominently on ''Trust'', largely taking the place of the rinky-dink organ which used to predominate. Otherwise, the overall sound is similar to that of ''Armed Forces'' or ''Get Happy!'', doubtless due to the continuing presence of producer Nick Lowe. | ||
''Trust'' is an enjoyable album of consistently good songs. Other highlights include the syncopated rhythm of "You'll Never Be A Man," the catchy refrain of "Strict Time," a straight country and western number, "Different Finger," and the album's closer | ''Trust'' is an enjoyable album of consistently good songs. Other highlights include the syncopated rhythm of "You'll Never Be A Man," the catchy refrain of "Strict Time," a straight country and western number, "Different Finger," and the album's closer, "Big Sister's Clothes." | ||
This last song returns to Costello's favorite theme: the artificiality, dehumanization, and trivializing of emotions in the modern world. | This last song returns to Costello's favorite theme: the artificiality, dehumanization, and trivializing of emotions in the modern world. | ||
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{{Bibliography notes}} | {{Bibliography notes}} | ||
{{Bibliography next | |||
|prev = Wright State University Guardian, March 27, 1979 | |||
|next = Wright State University Guardian, September 29, 1983 | |||
}} | |||
'''The Daily Guardian, March 10, 1981 | '''The Daily Guardian, March 10, 1981 | ||
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Latest revision as of 23:05, 18 August 2021
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