Glasgow Herald, June 12, 2015: Difference between revisions

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<center><h3>Review: Elvis Costello, Glasgow Royal Concert Hall</h3></center>
<center><h3> Elvis Costello </h3></center>
<center>''' Glasgow Royal Concert Hall </center>
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<center> Keith Bruce </center>
<center> Keith Bruce </center>
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Five Stars<br>
With the upcoming publication of his autobiography this autumn as the next milestone in his diverse artistic practice, the Elvis Costello approach to performance is a constantly evolving fascination. Radically different from his [[Concert 2014-10-18 Edinburgh|last]] solo appearance in Scotland, at the Usher Hall in October of last year, this show was also vastly different from those that have preceded it on the current tour.
 
With the upcoming publication of his autobiography this autumn as the next milestone in his diverse artistic practice, the Elvis Costello approach to performance is a constantly evolving fascination. Radically different from his last solo appearance in Scotland, at the [[Usher Hall]] in [[Concert 2014-10-18 Edinburgh|October]] of last year, this show was also vastly different from those that have preceded it on the current tour.


Although the structure was lightly worn, this "Detour" show was nothing less than a personal overview of the past century of popular music, during the last third of which Costello can claim a significant place. An archive of his own old videos preceded the two-and-a-quarter hour set, allowing the opening quip: "You can all go home now, you've heard all the hits."
Although the structure was lightly worn, this "Detour" show was nothing less than a personal overview of the past century of popular music, during the last third of which Costello can claim a significant place. An archive of his own old videos preceded the two-and-a-quarter hour set, allowing the opening quip: "You can all go home now, you've heard all the hits."


He then did what he has done nowhere else this time out and, perversely, played all his early hits, opening with [[(The Angels Wanna Wear My) Red Shoes|Red Shoes]], finishing with [[(What's So Funny 'Bout) Peace, Love And Understanding?|Peace, Love And Understanding]], and including [[Good Year For The Roses]] and [[Oliver's Army]] in a duet section with his brother [[Ronan MacManus]], who had also provided the support set.
He then did what he has done nowhere else this time out and, perversely, played all his early hits, opening with "Red Shoes," finishing with "Peace, Love And Understanding," and including "Good Year For The Roses" and "Oliver's Army" in a duet section with his brother Ronan MacManus, who had also provided the support set.
    
    
Family provided the spine of the show. Footage of his father, [[Ross MacManus]], singing If I Had A Hammer with the Joe Loss Band, was followed by Costello appearing where the screen had been, playing [[Alison]] and [[Pump It Up]] on his familiar Fender Jazzmaster. Memories of his grandparents were the link to repertoire like Nat King Cole's [[Walkin' My Baby Back Home|Walking My Baby Back Home]], dedicated to his own twin eight-year-old sons, and featuring the "lost art" of whistling.
Family provided the spine of the show. Footage of his father, Ross MacManus, singing "If I Had A Hammer" with the Joe Loss Band, was followed by Costello appearing where the screen had been, playing "Alison" and "Pump It Up" on his familiar Fender Jazzmaster. Memories of his grandparents were the link to repertoire like Nat King Cole's "Walking My Baby Back Home," dedicated to his own twin eight-year-old sons, and featuring the "lost art" of whistling.


It is not the only lost art of which Costello is a careful curator, and the continuing expansion of his own skill-set included some beautiful piano playing for songs that included [[Joni Mitchell]]'s [[A Case Of You]] and a glorious slow gospel version of Sam & Dave's [[I Can't Stand Up For Falling Down]].
It is not the only lost art of which Costello is a careful curator, and the continuing expansion of his own skill-set included some beautiful piano playing for songs that included Joni Mitchell's "A Case Of You" and a glorious slow gospel version of Sam & Dave's "I Can't Stand Up For Falling Down."


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'''The Glasgow Herald, June 12, 2015
'''The Herald, June 12, 2015
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[[Keith Bruce]] reviews Elvis Costello and Ronan MacManus on Friday, [[Concert 2015-06-11 Glasgow| June 11, 2015]] at the [[Glasgow Royal Concert Hall]].
[[Keith Bruce]] reviews Elvis Costello, solo and with [[Ronan MacManus]], Friday, [[Concert 2015-06-11 Glasgow|June 11, 2015]], Royal Concert Hall, Glasgow, Scotland.


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==External links==
==External links==
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[[Category:Glasgow Herald| Glasgow Herald 2015-06-12]]
[[Category:Glasgow Herald| Glasgow Herald 2015-06-12]]
[[Category:Newspaper articles]]
[[Category:Newspaper articles]]
[[Category:Concert reviews]]
[[Category:2015 concert reviews]]
[[Category:2015 concert reviews]]

Revision as of 12:15, 14 July 2016

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Glasgow Herald

UK & Ireland newspapers

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Elvis Costello

Glasgow Royal Concert Hall

Keith Bruce

5 star reviews5 star reviews5 star reviews5 star reviews5 star reviews

With the upcoming publication of his autobiography this autumn as the next milestone in his diverse artistic practice, the Elvis Costello approach to performance is a constantly evolving fascination. Radically different from his last solo appearance in Scotland, at the Usher Hall in October of last year, this show was also vastly different from those that have preceded it on the current tour.

Although the structure was lightly worn, this "Detour" show was nothing less than a personal overview of the past century of popular music, during the last third of which Costello can claim a significant place. An archive of his own old videos preceded the two-and-a-quarter hour set, allowing the opening quip: "You can all go home now, you've heard all the hits."

He then did what he has done nowhere else this time out and, perversely, played all his early hits, opening with "Red Shoes," finishing with "Peace, Love And Understanding," and including "Good Year For The Roses" and "Oliver's Army" in a duet section with his brother Ronan MacManus, who had also provided the support set.

Family provided the spine of the show. Footage of his father, Ross MacManus, singing "If I Had A Hammer" with the Joe Loss Band, was followed by Costello appearing where the screen had been, playing "Alison" and "Pump It Up" on his familiar Fender Jazzmaster. Memories of his grandparents were the link to repertoire like Nat King Cole's "Walking My Baby Back Home," dedicated to his own twin eight-year-old sons, and featuring the "lost art" of whistling.

It is not the only lost art of which Costello is a careful curator, and the continuing expansion of his own skill-set included some beautiful piano playing for songs that included Joni Mitchell's "A Case Of You" and a glorious slow gospel version of Sam & Dave's "I Can't Stand Up For Falling Down."

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The Herald, June 12, 2015


Keith Bruce reviews Elvis Costello, solo and with Ronan MacManus, Friday, June 11, 2015, Royal Concert Hall, Glasgow, Scotland.


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