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| {{Bibliography header}} | | {{Bibliography header}} |
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| {{:Die Presse index}} | | {{:Vienna Presse index}} |
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| <center><h3> Costello-Solo: Weises Vergnügen"</h3></center> | | <center><h3> Costello-Solo: Weises Vergnügen </h3></center> |
| <center>Wiener Konzerthaus: Elvis Costello wechselte zwischen fünf Gitarren und überzeugte mit Humor, Spielwitz und wunderbar geölter Stimme.</center>
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| <center>Samir H. Köck</center> | | {{GT | link = https://translate.google.com/translate?sl=de&tl=en&u=http%3A%2F%2Fwww.elviscostello.info%2Fwiki%2Findex.php%2FVienna_Presse%2C_November_1%2C_2011 }} |
| | <center> {{mm}} Samir H. Köck </center> |
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| | '''Wiener Konzerthaus: Elvis Costello wechselte zwischen fünf Gitarren und überzeugte mit Humor, Spielwitz und wunderbar geölter Stimme. |
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| Wenn die alten Fans den so solide gereiften Helden ihrer Jugend wiedersehen, mag wohl deren Gehirn am liebsten kurz aussetzen, den Anblick dieses vermeintlichen Südstaaten-Gentleman im dreiteiligen Anzug ausblenden und ihm eine neue Bedeutung geben. Aber nein, unter diesem breitkrempigen Hut war letztlich doch jener Elvis Costello zu erkennen, der einst die britische New Wave aufgemischt hatte. | | Wenn die alten Fans den so solide gereiften Helden ihrer Jugend wiedersehen, mag wohl deren Gehirn am liebsten kurz aussetzen, den Anblick dieses vermeintlichen Südstaaten-Gentleman im dreiteiligen Anzug ausblenden und ihm eine neue Bedeutung geben. Aber nein, unter diesem breitkrempigen Hut war letztlich doch jener Elvis Costello zu erkennen, der einst die britische New Wave aufgemischt hatte. |
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| ''' Die Presse, November 1, 2011 | | ''' Die Presse, November 1, 2011 |
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| [[Samir H. Köck]] reviews Elvis Costello solo, [[Concert 2011-10-31 Vienna|October 31, 2011]], Konzerthaus, Vienna, Austria. | | [[Samir H. Köck]] reviews Elvis Costello, solo, [[Concert 2011-10-31 Vienna|October 31, 2011]], Konzerthaus, Vienna, Austria. |
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| <center><h3> '''Costello Solo: Sage pleasure'''</h3></center>
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| <center>Vienna Concert House: Elvis Costello alternated between five guitars and convinced with humour, wit and a wonderful oiled voice.</center>
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| If the old fans again see the so solid matured heroes of their youth, may well expose their brain prefers short, the sight of this supposed Southern gentleman Hide in three-piece suit and give it a new meaning. But no, under this broad-brimmed hat was ultimately that Elvis Costello to recognize who had once stirred up the British New Wave.
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| Suppose he is not still, but you realize that he his skills every second is fully aware. Solo, he has come this time. To tease his audience with a little musical unorthodoxy and thereby to entertain themselves. The opener "[[Bullets For The New-Born King]]" and "[[Accidents Will Happen]]" came yet are unremarkable. But already in the third song, the sublime ballad "[[Either Side Of The Same Town]]," Costello got into those embers, the voice and guitar could melt together very delicate.
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| Age dream of freehand guitar playing
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| Also, "[[Home Is Anywhere You Hang Your Head]]", this beautiful story of an unhappy lover named Mr. Misery was of fulfilling intensity. With gusto Costello trudged through their own history, classics treated equally unpretentious as the freshest songs. "[[Watching The Detectives]]" he clamored to with played rhythms. A rough reef was heard while Costello stretched both arms out of hand. The old dream of freehand guitar playing: So close he was rare. The mature Costello tried but at this point actually in realtime loops. The resulting mangy groove who ornamented with red hot guitar solos. "I'd like to introduce my special guest this evening: It's me," he joked as he hurried again to another of the five provided guitars. What could easily be monotonous, was Costello's exuberant musicality into a single pleasure. The once reduced factory rebels with the accountant's face a fashionable traditionalist has long. This was shown this evening at the nonchalance with which he interpreted other songs. The beautiful [[Beatles]] tearjerker "[[You've Got To Hide Your Love Away]]", he integrated into his own "[[New Amsterdam]]". The other covers of [[Charles Aznavour]] "[[She]]", about the jazz standard "[[All Or Nothing At All]]" to [[Brinsley Schwarz]]'s pub rock classic "[[(What's So Funny 'Bout) Peace, Love And Understanding?|(What's So Funny 'Bout) Peace, Love And Understanding]]" he summoned effortlessly amidst Bathroom Private.
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| Besides the usual suspects such as the celebrated on the wing "[[Shipbuilding]]" and the two beautiful vocal jittered ballads "[[Everyday I Write The Book]]" and "[[Almost Blue]]" especially the latest songs enthusiastic. On the one hand the rough "[[National Ransom (song)|National Ransome]]", but also tender and nostalgic coloured compositions as "[[A Voice In The Dark]]" and "[[Jimmie Standing In The Rain]]". I will gladly avail you believe that this beautiful mix of love, beauty and wisdom has unfolded from the marriage bed. Reason enough that [[Ron Sexsmith]], as Costello roguish known, only his second favorite person in Canada.
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| {{Bibliography notes footer}} | | {{Bibliography notes footer}} |
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| *[http://en.wikipedia.org/wiki/Die_Presse Wikipedia: Die Presse] | | *[http://en.wikipedia.org/wiki/Die_Presse Wikipedia: Die Presse] |
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| {{DEFAULTSORT:Presse 2011-11-01}} | | {{DEFAULTSORT:Vienna Presse 2011-11-01}} |
| [[Category:Bibliography]] | | [[Category:Bibliography]] |
| [[Category:Bibliography 2011]] | | [[Category:Bibliography 2011]] |
| [[Category:Die Presse| Presse 2011-11-01]] | | [[Category:Vienna Presse| Vienna Presse 2011-11-01]] |
| [[Category:Deutsch]] | | [[Category:Deutsch]] |
| [[Category:Newspaper articles|Newspaper articles]] | | [[Category:Newspaper articles]] |
| [[Category:2011 concert reviews]] | | [[Category:2011 concert reviews]] |