I admit it — I love the lyric sheet. Helps me pay attention, though not always, and persuades me absolutely that "The Long Honeymoon" and "Kid About It" are as great as songwriting ever gets. But it also shores up my impression that he can be precious lyrically, vocally, and musically, and gnomic for no reason at all — in short, pretentious. And while I'm glad he's got soul, too often he invests emotion in turns of phrase he should play cool.
B+
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